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Innstetten holds the post of "Landrat" (district councillor) which is the highest administrative office in the district of Kessin in Pomerania, within walking distance of the Baltic. He and Crampas are both former guard officers and thus bound by the Prussian code of honour. The action takes place in Hohen Cremmen where Effi's parents live, in Kessin (Instetten's estate and surroundings), later in Berlin (where Instetten is promoted to "Geheimrat", we see just Instetten's flat and office), and in an unnamed southern spa to which Effi travels for her health (palm trees and a hotel).

A foreign assignment leads private detective Hartwig Seeler to the wildly romantic coast of the Peloponnese peninsula - and into the maelstrom of a mysterious case that confronts him with his own vulnerability.

The film director starts shooting his film about the manager of a large corporation who committed suicide for mysterious reasons. As the cumbersome process of making a film goes along, everybody involved in it starts having differing opinions of the tragedy, its causes and its victim.

Film makes the creative process visible by letting its narrative flow in the mind of a foreign director who is researching a film about Franz Kafka in Prague. Based on the principle of dreams and free association, segments unfold that deal with the various points of view that Kafka's work, personality and fate offer. In the labyrinth of his mind, the fictional director projects himself into situations from the author's life, with Kafka himself as his guide. At the same time, he delves into the history of the persecution of the Jews and glimpses the monstrosity of the bureaucratic apparatus that Kafka anticipated but could not have foreseen the monstrous size and function it would grow to a few years after his death in the institutionalized genocide and overall machinery of Nazism.

Strolling with his master through a constantly shifting landscape of corridors and stairs, a beret capped canine discusses life, philosophy and his master.

Finding the body of the regional politician Karas, killed in the spirit of medieval torture and carefully arranged in a strange scene, unleash police hunt for a sadistic perpetrator. He puts investigation team in the way of a complex series of murders that shake the local region and criminologists themselves.

By day the workplace is rational and efficient, but at night the same offices, hotels and restaurants become the domain of the supernatural and unexplained. Those who work the graveyard shift reveal their terrifying brushes with the paranormal while on the job.

导演兼建筑师谢尔盖·普罗科菲耶夫（Sergey Prokofyev）打造了一座充满动感的巨型数字大都会。这座城市在强烈的光影对比下熠熠生辉，宛如一个表现主义的迷宫，城市的喧嚣在其日常的循环中让我们迷失方向。《迷宫》（Labyrinth）能让我们以天文馆般令人沉浸的宁静，穿越这一切喧嚣。